- Fax
- N/A
- Title
- Professor
- Location
- Fain Fine Arts Center
- Room
- C-120A
- College
- College of Fine Arts, Fain
| Institution | Degree | Graduation Date |
|---|---|---|
| University of Texas at Austin | Ph.D. | 2005 |
| University of Texas at Austin | M.A. | 2001 |
| Employer | Position | Start Date | End Date |
|---|---|---|---|
| Midwestern State University | Professor | 05/11/2021 | |
| Midwestern State University | Department Chair | 05/11/2021 | 05/11/2021 |
| Midwestern State University | Associate Professor | 05/11/2021 | 05/11/2021 |
| University of Redlands | Associate Professor | 05/11/2021 | 05/11/2021 |
| University of Redlands | Assistant Professor | 05/11/2021 | 05/11/2021 |
Consuelo Jimenez Underwood: Art, Weaving, Vision, Duke University Press, 2022
“Garments for the Goddess of the Américas: The American Dress Triptych,†Book chapter for Consuelo Jimenez Underwood: Art, Weaving,Vision, Duke University Press, 2022
Works Under Review
“Out from the Shadows: La vida, trabajo, y legado de Lola Álvarez Bravo,” Book chapter, The Other Fridas: Latin American Women Artists Who Challenged Society
“Garments for the Goddess of the Américas: The American Dress Triptych,” Book chapter for Consuelo Jimenez Underwood: Art, Vision Weaving
Books
Consuelo Jimenez Underwood: Art, Vision Weaving
Expected publication date, Duke University Press
Book Chapters
"Cruel Beauty, Precarious Breath: Visualizing the US-Mexico Border.” In Border Crossings: A Bedford Spotlight Reader, 222-233. Reprint, College textbook, Boston: Bedford/St. Martin’s Press, 2016.
"Cruel Beauty, Precarious Breath: Visualizing the US-Mexico Border.” Chapter 8 in New Frontiers in Latin American Borderlands, 73-84. Leslie Cecil, editor. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2012.
“Re-Membering the Body: Spiritual Genealogy, Collective Memory, and Lost Histories in Delilah Montoya's Codex Delilah.” Chapter 1 in Chican@ Critical Perspectives and Praxis at the Turn of the 21st Century, Ed A. Muñoz, editor, 10-33. Berkeley and Santa Cruz: Inkworks Press and Community Printers. Peer reviewed, Published 2009.
Journal Articles
“Vidrio y Hilo: Two Stories of the Border,” Journal of Latino/Latin American Studies, 2019.
“La Conquistadora: A Conquering Virgin Meets Her Match.” In Religion and the Arts, Volume 18, no. 1-2 (2014): 245-268.
“Chicana Photography: The Power of Place.” In Poesía, Baile y Canción: The Politics, Implications, and Future of Chicana/os’ Cultural Production, Mari Castañeda, editor, 27-39. Available at SJSU ScholarWorks. http://scholarworks.sjsu.edu/naccs/2008. Peer reviewed, Published 2010.
Crossing the Border with La Adelita: Lucha-Adelucha as Nepantlera in Delilah Montoya's Codex Delilah.”Chicana/Latina Studies: The Journal of Mujeres Activas en Letras y Cambio Social, Vol. 5, no. 2 (Spring 2006): 12-59. Peer reviewed.
Exhibition Catalogs
“Los Maestros de San Antonio: Jesse A. Almazán, José Esquivel, and Rudy R. Trevino.” In Los Maestros: Early Explorers of Chicano Identity, 4-31. Ex. Cat. San Antonio, TX: Centro de Artes, 2020.
“Fear and Fascination: Representando las nubes, las tormentas, y el relámpago.” In Tina Fuentes: Marcando el Relámpago, 4-19. Lubbock, TX: Museum of Texas Tech University, 2017.
“Aquí Estamos: Ahora y Always.” In LatinX: Artistas de Tejas, 2-5. Lubbock, TX: LHUCA, 2017.
"Celebrating Sor Juana, Celebrating Tejana Artists." In Voices In Concert: Tina Fuentes, Kathy Vargas, and Delilah Montoya, 4-23. University of Houston: Arte Público Press, 2015.
“Beyond Identity? Beyond Heritage?” In Beyond Heritage, Dan Danzig and Daniel Foster, editors, 25-44. Pomona, CA: Millard Sheets Gallery, 2006. Invited lead catalogue essay.
“Charles Sheeler.” In Blanton Museum of Art: American Art since 1900, Annette DiMeo Carlozzi and Kelly Baum, editors, 274-275. Austin, TX: Blanton Museum of Art and The University of Texas at Austin, 2006. Invited catalog entry.
Reviews
Review of Las Olvidadas: The Forgotten Women - Photographs by Maya Goded. California Museum of Photography. Afterimage 38, no. 6 (May/June 2011), 28-29.